Projecten

Andermatt Concert Hall

Een concertzaal van wereldklasse op 1 400 m boven de zeespiegel: de Andermatt Concertzaal is het hart van de herontwikkeling van Andermatt tot een van de grootste badplaatsen van Zwitserland. Elk facet van het op originaliteit geïnspireerde interieur van deze flexibele zaal met 650 zitplaatsen is akoestisch geoptimaliseerd; een elektronisch nagalmsysteem verlengt de nagalm discreet om de akoestiek aan te passen aan de verschillende muziekstijlen, ensembles en de grootte van het publiek.

Andermatt Concert HallThe acoustic reflectors of the Andermatt Concert Hall can be seen through the glass wall at street level with a breath-taking landscape surrounding the concert hall pavilion. Foto © Roland Halbe
Andermatt Concert HallView from the balcony: The glass façade provides natural daylight and a view to the mountains, while passers-by have an enticing perspective into the hall. Every facet of the origami-inspired interior was optimised in angle to provide early sound reflections to the musicians and to every audience member. Foto © Roland Halbe
Projectgegevens

Nieuwbouw Andermatt Concert Hall   www.andermatt-swissalps.ch

Locatie Andermatt, Zwitserland.

Bouwkosten 16 miljoen CHF (circa 14 miljoen € omrekeningskoers vanaf het jaar van opening).

Periode Ontwerp: 2017-18. Bouw: 2017-19. Opening: Juni 2019.

Opdrachtgever Andermatt Swiss Alps & BESIX, Zwitserland.

Architect(en) Studio Seilern Architects, VK   www.studioseilern.com

Theateradviseur(s) dUCKS Scéno, Frankrijk    www.ducks.fr

Capaciteit Concertzaal met flexibele zitplaatsen tussen 500 en 650 plaatsen. Totale bruto vloeroppervlakte 2 072 m².

Gebruik De concertzaal is vooral bedoeld voor klassieke muziek en muziekfestivals. De flexibele enscenering biedt plaats aan zowel solorecitals, kleine ensembles als grote orkesten (tot 75 muzikanten openingsconcert met de Berliner Philharmoniker). Andere toepassingen zijn conferenties, banketten en versterkte concerten.

Werkzaamheden Volledig akoestisch advies voor de concertzaal en nevenruimten, inclusief ruimte-akoestsch ontwerp, akoestische vormgeving en optimalisatie van de concertzaal, afstemming van de akoestiek voor het openen, geluidsisolatieontwerp en dienstverlening op het gebied van geluidsisolatie.

Adviseur(s) Evan Green, Eckhard Kahle, Kahle Acoustics.

Andermatt Concert HallThe opening concert with the Berlin Philharmonic Orchestra. The golden surfaces of the stage wall are acoustically transparent: these hide acoustic reflectors and absorption surfaces, which are used to optimize the orchestral balance and projection to the audience. The facets of the balcony fronts provide cross-communication reflections between the musicians. Foto © Rittershaus Berliner Philharmoniker
Andermatt Concert HallFor the reverberation system, over 30 microphones and 70 loudspeakers have been almost invisibly integrated into the architecture. The system works together with the optimised natural acoustics and enables the reverberation time to be subtly extended for classical concerts. Foto © Roland Halbe
Andermatt Concert HallFor the reverberation system, over 30 microphones and 70 loudspeakers have been almost invisibly integrated into the architecture. The system works together with the optimised natural acoustics and enables the reverberation time to be subtly extended for classical concerts. Foto © Kahle Acoustics
Andermatt Concert HallView of the main balcony. The origami surfaces facing the stage have been angled to provide a good room response back to the musicians. The angled facets to the side of the audience have been acoustically optimised to create lateral reflections for an immersive, enveloping natural acoustic. Foto © Roland Halbe
Andermatt Concert HallView of the main balcony. The origami surfaces facing the stage have been angled to provide a good room response back to the musicians. The angled facets to the side of the audience have been acoustically optimised to create lateral reflections for an immersive, enveloping natural acoustic. Foto © Kahle Acoustics
Andermatt Concert HallView of the main balcony. The origami surfaces facing the stage have been angled to provide a good room response back to the musicians. The angled facets to the side of the audience have been acoustically optimised to create lateral reflections for an immersive, enveloping natural acoustic. Foto © Kahle Acoustics
Andermatt Concert HallThe project started life as an underground conference room. By raising the roof in the majority of the space, the acoustic volume was doubled and a visual connection to the surrounding mountains was created. Due to an access road across the site, only a portion of the roof could be elevated, leading to a lower ceiling over the stage: reflectors and absorption panels in the stage ceiling counteract the height difference and acoustically connect the two areas of the hall. Foto © Roland Halbe
Andermatt Concert HallThe project started life as an underground conference room. By raising the roof in the majority of the space, the acoustic volume was doubled and a visual connection to the surrounding mountains was created. Due to an access road crossing the site, only a portion of the roof could be elevated, leading to a lower ceiling over the stage: acoustic reflectors and absorption panels in the stage ceiling counteract the height difference and acoustically connect the two areas of the hall. Foto © Roland Halbe
Andermatt Concert HallA retractable seating system enables up to 9 rows of seating to disappear under the main balcony to create a flat floor for banquets and other conference events. The suspended reflectors provide reflections to the entire audience and between the musicians: their shape was optimised using 3D acoustic software. Foto © Omer Kanipak
01/11Andermatt Concert HallThe acoustic reflectors of the Andermatt Concert Hall can be seen through the glass wall at street level with a breath-taking landscape surrounding the concert hall pavilion. Foto © Roland Halbe
02/11Andermatt Concert HallView from the balcony: The glass façade provides natural daylight and a view to the mountains, while passers-by have an enticing perspective into the hall. Every facet of the origami-inspired interior was optimised in angle to provide early sound reflections to the musicians and to every audience member. Foto © Roland Halbe
03/11Andermatt Concert HallThe opening concert with the Berlin Philharmonic Orchestra. The golden surfaces of the stage wall are acoustically transparent: these hide acoustic reflectors and absorption surfaces, which are used to optimize the orchestral balance and projection to the audience. The facets of the balcony fronts provide cross-communication reflections between the musicians. Foto © Rittershaus Berliner Philharmoniker
04/11Andermatt Concert HallFor the reverberation system, over 30 microphones and 70 loudspeakers have been almost invisibly integrated into the architecture. The system works together with the optimised natural acoustics and enables the reverberation time to be subtly extended for classical concerts. Foto © Roland Halbe
05/11Andermatt Concert HallFor the reverberation system, over 30 microphones and 70 loudspeakers have been almost invisibly integrated into the architecture. The system works together with the optimised natural acoustics and enables the reverberation time to be subtly extended for classical concerts. Foto © Kahle Acoustics
06/11Andermatt Concert HallView of the main balcony. The origami surfaces facing the stage have been angled to provide a good room response back to the musicians. The angled facets to the side of the audience have been acoustically optimised to create lateral reflections for an immersive, enveloping natural acoustic. Foto © Roland Halbe
07/11Andermatt Concert HallView of the main balcony. The origami surfaces facing the stage have been angled to provide a good room response back to the musicians. The angled facets to the side of the audience have been acoustically optimised to create lateral reflections for an immersive, enveloping natural acoustic. Foto © Kahle Acoustics
08/11Andermatt Concert HallView of the main balcony. The origami surfaces facing the stage have been angled to provide a good room response back to the musicians. The angled facets to the side of the audience have been acoustically optimised to create lateral reflections for an immersive, enveloping natural acoustic. Foto © Kahle Acoustics
09/11Andermatt Concert HallThe project started life as an underground conference room. By raising the roof in the majority of the space, the acoustic volume was doubled and a visual connection to the surrounding mountains was created. Due to an access road across the site, only a portion of the roof could be elevated, leading to a lower ceiling over the stage: reflectors and absorption panels in the stage ceiling counteract the height difference and acoustically connect the two areas of the hall. Foto © Roland Halbe
10/11Andermatt Concert HallThe project started life as an underground conference room. By raising the roof in the majority of the space, the acoustic volume was doubled and a visual connection to the surrounding mountains was created. Due to an access road crossing the site, only a portion of the roof could be elevated, leading to a lower ceiling over the stage: acoustic reflectors and absorption panels in the stage ceiling counteract the height difference and acoustically connect the two areas of the hall. Foto © Roland Halbe
11/11Andermatt Concert HallA retractable seating system enables up to 9 rows of seating to disappear under the main balcony to create a flat floor for banquets and other conference events. The suspended reflectors provide reflections to the entire audience and between the musicians: their shape was optimised using 3D acoustic software. Foto © Omer Kanipak