Kahle Acoustics | Wissenschaftliche Artikel

Wissenschaftliche Artikel

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Turku Fuuga — Acoustic Design of an Intimate and Immersive Concert Hall, Yann Jurkiewicz, Vincent Berrier, Eckhard Kahle, Kahle Acoustics, BNAM 2024, Baltic Nordic Acoustics Meeting, Espoo, Finland, 22-24 May 2024.

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Scale Model Study of Audience Related Transfer Functions (ARTF) for Direct Sound and Early Reflections, Nils Rummler, Evan Green, Thomas Wulfrank, Yann Jurkiewicz, Eckhard Kahle, DAGA 2024, 50. Jahrestagung für Akustik, Hannover, Germany, March 2024.

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The quest for the correct balance between “hearing oneself”, “hearing others” and “hearing the room” across rooms of differing volume, Eckhard Kahle, 10th Convention of the European Acoustics Association, Turin, Italy, September 2023.

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Why do large concert halls need to be optimized for early reflections coverage, Eckhard Kahle, Yann Jurkiewicz, Evan Green, Vincent Berrier, Kahle Acoustics, Proceeding of the Institute of Acoustics, Vol. 45, Pt. 2, 11th International Conference on Auditorium Acoustics, Athens, Greece, September 2023.

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The influence of reflection surface size in concerts halls, Evan Green, Otávio Colella Gomes, Jannis Kriz, Vincent Berrier, Thomas Wulfrank, Eckhard Kahle, Kahle Acoustics, Proceeding of the Institute of Acoustics, Vol. 45, Pt. 2, 11th International Conference on Auditorium Acoustics, Athens, Greece, September 2023.

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Development of an omnidirectional source for acoustical scale-model measurments, Etienne Larochelle, Ecole Centrale de Lille, Sorbonne Université Paris (France) et Kahle Acoustics, Vincent Berrier, Thomas Wulfrank, Evan Green, Yann Jurkiewicz, Kahle Acoustics, Proceeding of the Institute of Acoustics, Vol. 45, Pt. 2, 11th International Conference on Auditorium Acoustics, Athens, Greece, September 2023.

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Pre-Sabine Room Acoustics Guidelines on Audience Rake, Stage Acoustics, and Dimension Ratios, Barteld Postma, Brian Katz, Evan Green, Eckhard Kahle, Kahle Acoustics, Acoustics 2021, Mdpi, March 2021.

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Beyond 80ms: The Subjective Effects of Sound Energy Arriving Shortly After the “Early” Sound Period, Evan Green, Eckhard Kahle, Vincent Berrier, Émilie Carayol, Kahle Acoustics, Proceedings of the International Symposium on Room Acoustics, ISRA 2019 Amsterdam (Netherlands), September 2019.

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Acoustic optimisation of curved architecture in practice: the new Straight Cultural Arts Center in Fuzhou, Yann Jurkiewicz, Henrik Möller, Thomas Wulfrank, Jingbo Wang, Eckhard Kahle, Kahle Acoustics (Belgium), Akukon (Finland), Tongji Architectural Design Group (China), Proceedings of the International Symposium on Room Acoustics, ISRA 2019 Amsterdam (Netherlands), September 2019.

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Halls Without Qualities — Or The Effect Of Acoustic Diffusion, Eckhard Kahle, Kahle Acoustics, Proceeding of the Institute of Acoustics, Vol. 40, Pt. 3, Proc. IoA 2018, Hamburg 2018.

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Dynamic Spatial Responsiveness in Concert Halls, Evan Green, Eckhard Kahle, Kahle Acoustics, Proceeding of the Institute of Acoustics, Vol. 40, Pt. 3, Proc. IoA 2018, Hamburg 2018.

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Creative possibilities and limitations of curved surfaces in the acoustic design of contemporary auditoria, Thomas Wulfrank, Evan Green, Eckhard Kahle, Juan Óscar García Gómez, Kahle Acoustics, ICSV 24, London, July 2017.

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Acoustic feedback for performers on stage — return from experience, Eckhard Kahle, Kahle Acoustics, International Symposium on Musical and Room Acoustics (ISMRA), Argentina, September 2016.

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Shaping concert halls, Juan Óscar García Gómez, Eckhard Kahle, Thomas Wulfrank, Kahle Acoustics, Proceedings of the European Acoustics Association EuroRegio 2016, Portugal, June 2016.

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Philharmonie de Paris — Acoustic Scale Model Study, Brian FG Katz, Yann Jurkiewicz, Thomas Wulfrank, Gaëtan Parseihian, Thomas Scelo, Harold Marshall, IOA, France, November 2015.

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Stavanger Concert Hall, Acoustic Design and Measurements Results, Yann Jurkiewicz, Eckhard Kahle, Brian FG Katz, Proceedings of the Institute of Acoustics, vol. 37, Paris, 2015.

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How far should the geometry of a concert hall be optimised?, Yann Jurkiewicz, Thomas Wulfrank, Eckhard Kahle, Kahle Acoustics, Proceedings of the International Symposium on Room Acoustics, ISRA 2013, June 2013.

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Design-focused acoustic analysis of curved geometries using a differential raytracing technique, Thomas Wulfrank, Yann Jurkiewicz, Eckhard Kahle, Kahle Acoustics, Proceedings of the International Symposium on Room Acoustics, ISRA 2013, June 2013.

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Room acoustical quality of concert halls: perceptual factors and acoustic criteria — return from experience, Eckhard Kahle, Kahle Acoustics, Proceedings of the International Symposium on Room Acoustics, ISRA 2013, June 2013.

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Recent experiences with vibration of stage and audience floors in concert halls, Thomas Wulfrank, Igor Lyon-Caen, Yann Jurkiewicz, Johan Brulez, Eckhard Kahle, Journal of the Acoustical Society of America, vol. 19, June 2013.

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Architectural shape and early acoustic efficiency in concert halls, Yann Jurkiewicz, Thomas Wulfrank, Eckhard Kahle, Journal of the Acoustical Society of America, vol. 132, no. 3, September 2012.

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Acoustic solid angle criteria in practice: transforming the Chapelle Corneille in Rouen into a concert hall, Yann Jurkiewicz, Eckhard Kahle, Thomas Wulfrank, Acoustics 2012, Nantes Conference, 23-27 April 2012.

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How Acousticians Listen, Leo Beranek, J. Christopher Jaffe, Tateo Nakajima, Eckhard Kahle, R. Lawrence Kirkegaard, Pamela Clements, Proceedings of the International Symposium on Room Acoustics, ISRA 2010, August 2010.

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Making a drama theatre suitable for a temporary opera production with the orchestra out of the pit by using both architectural and electro-acoustical means, Cees Mulder, Eckhard Kahle, Kahle Acoustics, NAG-Journaal, no. 194, November 2010.

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Efficacité acoustique précoce: un nouveau critère architectural pour l'acoustique des salles de concert symphoniques, Yann Jurkiewicz, Eckhard Kahle, Kahle Acoustics, Acoustique & Techniques no. 54-55, 2008.

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Early reflection surfaces in Concert Halls – a new quantitative criterion, Yann Jurkiewicz, Eckhard Kahle, Kahle Acoustics, Acoustics 08 Paris, 2008.

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La Philharmonie de Paris Concert Hall Competition, Part 2: The Competition, Eckhard Kahle, Yann Jurkiewicz, Nathalie Faillet, Thomas Wulfrank, Brian FG Katz, Kahle Acoustics, Proceedings of the Satellite Symposium of the 19th International Congress on Acoustics Seville, 10-12 September 2007.

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La Philharmonie de Paris Concert Hall Competition, Part 1: Acoustic Brief, Eckhard Kahle, Yann Jurkiewicz, Nathalie Faillet, Thomas Wulfrank, Brian FG Katz, Kahle Acoustics, Proceedings of the Satellite Symposium of the 19th International Congress on Acoustics Seville, 10-12 September 2007.

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Philharmonie de Paris, Acoustic Brief, Section on Concert Hall only, Kahle Acoustics et Altia acoustique, 2006.

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Philharmonie de Paris, Programme acoustique, Section sur la salle de concert uniquement, Kahle Acoustics et Altia acoustique, 2006.

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Acoustic Analysis of Wigmore Hall, London, in the Context of the 2004 Refurbishment, T. Wulfrank, R.J. Orlowski, Arup Acoustics, Cambridge, UK, vol. 28, pt. 2, 2006.

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Validation d'un modèle objectif de la perception de la qualité acoustique dans un ensemble de salles de concerts et d'opéras, Eckhard Kahle, thèse de doctorat, IRCAM, Paris & Laboratoire d'Acoustique du Maine, Le Mans, France, Juin 1995.

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Influence of Size and Composition of the Orchestra on the Perception of Room Acoustical Quality, Eckhard Kahle, IRCAM, WCSCS 95, Cambridge, USA, 1995.

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Influence of Size and Composition of the Orchestra on the Perception of Room Acoustical Quality, Eckhard Kahle, IRCAM, 1995.

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Subjective Listening Tests in Concert Halls: Methodology and Results, Eckhard Kahle, Jean-Pascal Jullien, IRCAM, Proceedings of the Int. Congr. Acoustics, Trondheim, Norway, June 26-30, 1995.

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Some new Considerations on the Subjective Impression of Reverberance and its Correlation with Objective Criteria, Eckhard Kahle, Jean-Pascal Jullien, IRCAM, 1994.

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Some Results on the Objective Characterisation of Room Acoustical Quality in both Laboratory and Real Environment, J.P. Jullien, E. Kahle, S. Winsberg, O. Warusfel, IRCAM, 1992.